Film Director Oliver Stone Talks JFK, Conspiracy

Oliver Stone makes a point with Newseum Vice Chairman Shelby Coffey III.

When film director Oliver Stone speaks about his controversial film JFK, he wants it understood that he was not depicting absolute truth. Instead, he was making what he calls a countermyth to contrast with what he calls the myth of the Warren Commission Report, a voluminous compendium of information that maintains Lee Harvey Oswald acted alone when he killed President John F. Kennedy 50 years ago.

This article 1st appeared in The Prices Do DC – 11.05.2013

“We were not making a documentary, we were dramatizing,” Stone says. “I thought the Warren Commission was fiction and I still do today.”

Stone appeared at the Newseum in Washington, DC to discuss his film, which was released 22 years ago and is enjoying a resurgence because of the timeliness of the 50th anniversary this month of that dark day in Dallas.

“The (Kennedy) investigation was badly handled from the beginning,” Stone said as he detailed his belief in both a conspiracy and a cover-up. “A major medical fraud took place. He should have been autopsied in Parkland (the Dallas hospital where Kennedy died). A doctor there says for 18 minutes he saw brains emerging from the back of President Kennedy’s head. A shot from the front was the kill shot and that is a shot that Lee Harvey Oswald couldn’t have made.”

Of course, if the Warren Commission is wrong and Oswald didn’t act alone, the question becomes – who is responsible for killing JFK?  “Look at the people who had the power,” Stone contends.

In Stones’ view, the military/industrial/intelligence complex was highly disturbed about Kennedy actions that they believed were wrong for an America which, at the time, was engaged in a Cold War with the Soviet Union and the idea of Communism.  “Kennedy was moving toward detente and the end of the Cold War. The generals wanted to blow up the Soviet Union because they could. They wanted a war because they knew they could win it. But Kennedy realized we were facing the end of the world as we knew it and he said no. They were furious and didn’t want him to win re-election in 1964. Kennedy took them head-on and paid a price for it ,” Stone said.

The director said he began to question the Oswald-only position after reading On The Trail of the Assassin by New Orleans attorney Jim Garrison in 1989. Garrison’s book detailed his investigation of a Kennedy conspiracy. Kevin Costner portrayed Garrison in Stone’s film.

Stone said he had always admired the 1969 film Z, by Greek director Costa-Gavras, a thinly fictionalized account of the events surrounding the assassination of a Greek politician and the outrage at the military dictatorship which hatched the killing plot. “I wanted to do something similar on an American level,” Stone said. “I wanted to give a reason why he (Kennedy) must be removed from office.”

“In drama, you have the right to interpret history as you want. Shakespeare proved that,” Stone said. “Even documentaries aren’t objective. But I think the facts of JFK hold up to me.”

O-My-God-Zilla: A Famed 50s Monster Makes Yet Another Comeback

This article 1st appeared in The Prices Do DC

Get prepared DC and the rest of America – Godzilla, that Japanese king of all monsters, is back. And this month, it will be a double attack.

First up was the return of the original monster over the past 4 days. To celebrate the 60th anniversary of the movie’s release, Rialto Pictures showed its new restoration of Honda Ishiro’s uncut landmark 1954 film at the AFI Silver Theater and Cultural Center in Silver Springs.

The original film was chopped and butchered before it screened in America under the title Godzilla: King of Monsters in 1956. Actor Raymond Burr was inserted in the American version as the protagonist and only one hour of the original 98-minute running time was used. All the Japanese speaking roles were dubbed over. The restored version, named Godzilla: The Japanese Original, delivers the complete version with no dubbing.

For those few who might not be familiar with the Godzilla tale, it is the story of a radiation-breathing prehistoric monster, awakened after millenia by hydrogen bomb testing. Impervious to repeated shelling by the Japanese army, Godzilla wreaks havoc on a helpless Tokyo.

At the time, the monster – actually named Gojira in Japanese – was a visual metaphor for the feared effects of a nuclear attack and the aftereffects of radiation. It had specific resonance with Japan since they had been the scene of 2 nuclear attacks just 9 years before the movie’s release.

But the short run of the restored film just served as a prelude to the expected huge release of the remake of the original on May 16.  In that film, simply titled Godzilla, the famed monster is pitted against malevolent creatures, who bolstered by humanity’s scientific arrogance, threaten the existence of all humankind.

To celebrate the release of the new Godzilla (one of our favorite monsters of all-time and the only monster to be the central figure in a song by Blue Oyster Cult), here are a series of fun articles featuring the central figure of so many 50s and 60s nightmares.

Japanese are upset with supersized, fat American Godzilla. (from Science Fiction.Com)

In crossover ad, Godzilla chows down on a Fiat (from The New York Daily News)

Here’s what you all have been waiting for – Jawzilla: A Godzilla and Jaws trailer mashup. (from Indiewire)

Godzilla versus Smaug from The Hobbit: Who would win that dragon duel? (from The Wall Street Journal)

The ever increasing size of Godzilla and its implications for sexual selection and urine production. (from Deep Sea News)