Rediscovering Toby Beau and “My Angel Baby” While Cruising the Hawaiian Islands

Toby Beau — On and off stage they are Balde Silva and Rennetta Dennett Silva

By Dave Price

In 1978, I was playing in a South Jersey band called Time Peace. We were performing classic rock songs, as well as some radio hits of the time. One song that was always well received was “My Angel Baby,” a No. 1 hit by a band called Toby Beau.

Now I hadn’t thought about “My Angel Baby” or Toby Beau for 40 years. But that changed earlier this month when my wife and I boarded The Pride of America for a cruise around the Hawaiian Islands and discovered that Toby Beau was going to be performing two shows on the ship. 

In its original format, Toby Beau was a five-piece band out of southern Texas. Today, it’s a duo consisting of Balde Silva, the original singer and co-writer of “My Angel Baby,” and his wife Rennetta Dennet Silva, who has been with Silva since the ‘70s.

During about five hours of informal chatting and formal interviewing over three days, Balde, sometimes joined by the striking and incredibly friendly Rennetta, told me the 40-year story of Toby Beau.

Like so many music lovers who later became musicians, Balde vividly recalls the moment when he realized music could be more than his passion; he wanted it to be his life’s work. “It was seeing the Doors on Ed Sullivan”, Balde says. “You could hear that Vox organ and that guitar. And then there was Jim Morrison.”

Around that time, a couple of Balde’s older cousins formed a rock band and young Balde was given an important job. One of the guitar chords could short out when it was put in an amp, so as the band rehearsed, Balde would hold the chord steady so it wouldn’t wiggle. As the band played, he would sing along. Soon, he found himself fronting the band as lead vocalist.

“The singer they had wasn’t very good and I could sing pretty well. So we switched positions. He started holding the chord and I became the lead singer,” Balde says, chuckling as he recalled his inauspicious introduction to the rock band world.

After playing with several configurations of South Texas musicians, Balde found himself with the four other musicians who would become the first version of Toby Beau. The band was named after one of the last shrimp boats docked in the Gulf Coast community of Port Isabel, Texas.

The group started out performing covers in clubs all over Texas, but eventually began writing songs of their own. One of those songs was “My Angel Baby,” co-written by Balde and now-deceased guitarist and band member Danny McKenna. Soon, the group signed a major three-record deal with RCA and found they were going to be produced by KISS producer Sean Delaney.

Balde said the band’s rise was rapid and eye-opening. “One day we were playing in these greasy bars in San Antonio and the next day we were recording in New York with all these big bands,” Balde noted.

Propelled by the band’s first single “My Angel Baby,” Toby Beau was soon getting airplay all over the country and Canada. The single, with its updated 1950s feel and harmonica solo reminiscent of something like the Rascals might have recorded in their heyday, spent 13 weeks climbing the Billboard charts. It reached No. 1 on the Easy Listening charts, while rising to No. 13 on the pop charts. “My Angel Baby” quickly earned gold for receiving more than a million radio plays.

Suddenly, the band found itself touring with many of the biggest acts of the ‘70s such as the Doobie Brothers, Bob Seger, the Steve Miller Band, Steely Dan, and ZZ Top, all of whom are now enshrined in the Rock and Roll Hall of Fame.

“That was a wild time,” Rennetta says. “Wild, but fun while you were young”.

But when the band began recording its second album, problems developed. They tried recording in New York City, Miami, and Nashville, but were unable to recapture the magic of “My Angel Baby”. When finally released, the second album did include a cover of “Then You Can Tell Me Goodbye,” written by John D. Loudermilk, who also composed the classic “Tobacco Road”. “Then You Can Tell Me Goodbye” had previously been the number 6 pop hit for the Casinos in 1967 and a No. 1 on the country charts for Eddy Arnold in 1968. The 1979 version by Toby Beau only reached 57 on the Billboard Hot 100 chart and 7 on the Adult Contemporary List.

By the completion of that album, all four of Balde’s fellow band members had left the group. However, he decided to record the third album for RCA on his own, a move which allowed him to retain the rights to use the name Toby Beau.

After that album, Balde and Renetta, accompanied by various musicians, toured as Toby Beau, playing smaller music venues and festivals, clubs, and bars. As the 21 Century dawned, the two – now just a duo – found themselves also working on cruise ships. After 7 years, Balde and Rennetta wanted to forego cruise performance. However, their agent said they should do one more cruise.

“I heard Rennetta holler in the background, ‘See if we can do something in Hawaii. We’ve never been there’. Well that was 12 years ago and since then we have been right here performing on the ship,” Balde explained.

The Pride of America cruises around Hawaii all 52 weeks of the year, so the Toby Beau duo can book work as much as they want. Currently, their contract specifies that they perform two shows, one on Saturday night and one on Sunday night. That means they have the rest of the cruise to do what they want, which often involves exploring the islands. It also means they can have an almost-regular scheduled. For example, Rennetta apologized for cutting our chat short on Sunday night because she and her husband always make that movie date night while the ship is docked overnight in Kawai.

As for the two shows, one a tribute to the Beatles and the other to the Eagles, are unique. Balde and Rennetta play the performance live, but the drums and other backing instruments have been pre-recorded by Balde for live playback.

Actually, the pre-recordings have a live feel, not like many such accompaniments that sound artificial and machine-like. Balde explained there is a simple reason for that fact. “I guess you heard a few mistakes,” he said. “I was going to take them out, but when I listened to them I thought such things occur in live performances so I left them in,” he said.

To enhance the accuracy of the show, Balde employs some the same guitars that George Harrison, John Lennon, and Paul McCartney used for the Beatles and Glen Fry, Bernie Leadon, Don Felder, and Joe Walsh played for specific Eagles songs.

The show itself is unique for such tribute concerts. Balde has chosen one song from each album of the Beatles and the Eagles that truly captures the sound of the band at the time the LP was released. Balde and Rennetta alternate telling the story of the groups, meaning that their show is not only musically interesting, but a lesson in rock music history and popular culture as well.

From the reaction and applause both nights, the duo’s talents and the shows’ formats are being enthusiastically received by the cruise showroom audiences. One highlight of the Beatles’ night was a show-closing rendition of the classic “Hey Jude,” complete with an audience singalong and in-time, above-the-head hand waving. My personal favorite from the two nights was a spirited “Life in Fast Lane,” while the audience appeared awed at Toby Beau’s close cover version of the Eagles “Hotel California” from the band’s best-selling album by the same name.

The positive reception was demonstrated quite a few times during our interview-chat sessions as cruisers would stop by our table to tell Balde and Rennetta how much they enjoyed the shows and talk music with the pair.

I will be writing much more about Toby Beau in the future (they will play a major role in my third book in what I am calling my Rock of Agers series which looks at how rock & roll evolved into rock, which today continues its popularity as classic rock), but here are the answers to two questions I asked: 

The first – are you disappointed that your hits came early and because of changing conditions in the music industry you haven’t been able to replicate that success?

“No,” Balde answers emphatically. “I’ve always enjoyed live performing more than studio work. I love seeing the fans, watching their reactions, and getting a chance to talk to them. And getting to do it with Rennetta makes it that much better”. 

And the final – Balde, do you have regrets about spending 40 years in the music businesses with all its inherent ups and downs?

“When I was young, all I wanted to do was sing. And that’s all I’ve ever done. I dreamed of being a rock-and-roller and that’s what I became. My advice now to young people is never give up on your dream and always be ready when the dream comes – for it can come out of nowhere so you have to be ready”. 

Encore

            As an author who writes articles and books about classic rock I have the great opportunity to meet many people in the music business. Some are nice. Some are not. Some are normal. Some are not. But few I have are as engaging and friendly as Balde and Rennetta. I think the fact that they have been together for 40+ years in a business where 40 months in the more the average speaks strongly to their dedication and character. In fact, I’m certain that if they lived next door, you would want them for friends. Plus, the three of us could probably talk for years about the highs and lows of the music business, along with stories of all the fascinating people you run into. 

            If you do or don’t recall Toby Beau or “My Angel Baby,”, make yourself a note to check them out if you get a chance. You won’t be disappointed. And, if you want, you can tell them Dave sent you.

You Can Have Real Fun, Fun, Fun in the Presence of Genius

The one and only Brian Wilson

By Dave Price

Imagine you were celebrating your birthday in 2020 and you could go back to 1962 when you were an elementary school student. Or 1965 when you were in 9th grade. Or 1966, 1967, 1968 when you walked the hallways of your high school. Or 1969 when you started college. Or 1973 when you graduated college, got married, and had a son.

Well, of course, there are no time machines, but last night, on the date of my wife’s 69th birthday, Judy and I vicariously had a chance to do the next best thing as we listened to Brian Wilson and his 11-member band perform many of the greatest hits he composed for his Hall of Fame California surf-sound group The Beach Boys at the MGM Casino just outside Washington, DC.

It’s been said that each song we hear from our past is like a tiny time capsule that unlocks to let us vividly recall all the places we were and all the people we were with when we first heard the tune.

And few songwriters have the ability to transport us back to our past better than Brian Wilson and the exquisite harmonies and sense of time and place he incorporated into the string of smash hits, ground-breaking albums, and B-sides he created for the Beach Boys. 

The story of Wilson’s rise to become one of the best of rock & roll music’s greatest songwriters and his subsequent descent into depression and mental illness has been thoroughly documented in print and film. Indeed, Wilson still periodically struggles with mental issues. For example, he had to cancel a portion of his tour last year, saying he felt mentally insecure. In a letter to his fans Wilson wrote: “It is no secret that I have been living with mental illness for many decades. I’ve been struggling with stuff in my head. I’m going to rest, recover, and work with my doctors on this. The music and my fans keep me going and I know this will be something I can AGAIN overcome”.

And on a chilly Wednesday night, Wilson’s fans, ecstatic that he was well enough to resume touring, showered their idol with applause after each song, even those few obscure enough only to be familiar to fervent Beach Boys enthusiasts.

And while Wilson, who will turn 80 in June, today struggles to hit some notes and is forced to rely on a teleprompter for the words to some songs, these were minor setbacks that the audience was willing to ignore as they danced in the aisles and rose as one for a heartfelt standing ovation when the 90-minute, 27-song concert ended. The night had clearly demonstrated they were in the presence of a genius who had created an entire genre (surf music), wrote two dozen Top 40 hits for the Beach Boys, composed a tune – “God Only Knows” – which no less of an expert than Paul McCartney has called the best song ever written, and has had his creations compared favorably with those of such legendary classical composers Bach, Beethoven, and Brahms.

Earlier, Wilson had been interviewed by Jason Fraley of WTOP. Wilson told the reporter that although he hasn’t written any songs for a few years, he has some new ideas which he would like to record soon.

But for now, while new Wilson material would be great, his audience, which spans multiple generations, is quite content to enjoy the hits, the oldest of which would now be qualified to be members of AARP.

Asked why he thinks the Beach Boys and their music have remained so popular, Wilson told Fraley “It’s evergreen. It’s forever”.

And many of his rock contemporaries agree. Here’s a sample of what some of rock’s s best have said about Brian Wilson, his tunes, and his prodigious talent.

Bob Dylan

            Jesus, that ear. He should donate it to the Smithsonian. Brian Wilson, he made all his records with four tracks, but you couldn’t make his records if you had a hundred tracks today.    

Beatles Producer George Martin

            If there is one person that I have to select as a living genius of pop music, I would choose Brian Wilson. Without Pet Sounds, Sgt. Pepper wouldn’t have happened. Pepper was an attempt to equal Pet Sounds.

David Crosby of CSNY

            Brian was the most highly regarded pop musician in America, hands down. “In My Room” was the defining point for me. When I heard it, I thought “I give up – I can’t do that – I’ll never be able to do that.”

David Gilmour of Pink Floyd

            Even in those very early days of the Beach Boys, songs like “In My Room” and “Don’t Worry Baby” were giving the indication that Brian Wilson wanted to paint with a much more colorful palette than was offered by surf music he was so adapt at. His brilliance leapt from strength to strength over a very short period and, in a little over four years, he mastered the art of songwriting, record production, orchestral arrangements and every form of studio trickery to culminate with the wonderful songs on Pet Sounds.

Tom Petty

            I think I would put him up there with any composer – especially Pet Sounds. I don’t think there’s anything better than that, necessarily. I don’t think you’d be out of line comparing him to Beethoven – to any composer. The word genius is used a lot with Brian. I don’t know if he’s a genius or not, but I know his music is probably as good a music as you can make.

From “California Girls” to “Love and Mercy” Brian’s band was hot.

MGM Set List

  1. California Girls (1965)
  2. Dance, Dance, Dance (1964)
  3. I Get Around (1965)
  4. Shut Down (1963)
  5. Little Deuce Coupe (1963)
  6. Little Honda (1964)
  7. Salt Lake City (1965)
  8. Surfer Girl (1962)
  9. Don’t Worry Baby (1964)
  10. California Saga: California (1973) – written by Al Jardine
  11. Do It Again (1968)
  12. Let Him Run Wild (1965)
  13. Darlin’ (1967)
  14. Heroes and Villains (1967)
  15. Feel Flows* (1971) –written by Carl Wilson
  16. Wild Honey * (1967) 
  17. Sail On, Sailor* (1973)
  18. I Can Hear Music (1969) – Ronettes cover
  19. Wouldn’t It Be Nice (1966)
  20. Sloop John B (1966)
  21. God Only Knows (1966)
  22. Good Vibrations (1967)
  23. Help Me, Rhonda (1965)
  24. Barbara Ann (1965)
  25. Surfin’ USA (1963)
  26. Fun, Fun, Fun (1964)
  27. Love and Mercy (1968)

*Sung by Blondie Chaplain

Notes and Noise from the Show

  • There were many highlights during the night, but my personal concert capstone was the three-song mini-set song by Sonny Chaplain. Chaplain, a South African musician who has toured extensively with the Beach Boys and the Rolling Stones, also played lead guitar on the three numbers – “Feel Flows,” “Wild Honey” and “Sail On, Sailor.” Chaplain brought both psychedelic guitar effects and an invigorated feel to the show. It was clearly evident that he was enjoying playing with Wilson again, whom he called “the maestro.”
  • When the Beach Boys began, they were known as a family band since Wilson was joined by his two brothers, Carl and Dennis, both of whom are dead. But the family concept is being continued on this tour as Matt Jardine, the son of Beach Boys Al Jardine, who is co-featured on this tour with Wilson, sings high harmony and even some lead vocals.
  •  Wilson was one of the first rock songwriters to use a theremin (a musical instrument with high, outer-space like sounds that is played not by touch, but by running your hands over the instrument to control frequency and volume). It was extremely cool to hear the theremin live on a few songs, especially Wilson’s classic “Good Vibrations”. 
  • Of course, with a catalog as extensive as Wilson’s, not all of his hits can be performed in every show. The one I missed most tonight was “In My Room,” one of the greatest songs about loneliness ever composed.
  • How many artists could close a show with this many super hits in a row – “God Only Knows,” “Good Vibrations,” “Help Me Rhonda,” “Barabara Ann,” “Surfin’ USA,” and “Fun, Fun, Fun?”  Well, Brian Wilson can and did.
  • The last song was an extremely poignant, powerful, and, given the current divisiveness in Washington, DC and the country, appropriate “Love and Mercy,” which gave its title to the recent critically acclaimed biographical movie about the head Beach Boy. Wilson played the song alone on his piano, while the other 11 band members joined in on harmony vocals. Here are the first stanzas of Wilson’s moving message we all need to hear in these troubled times:

I was sittin’ in a crummy movie with my hands on my chin
Oh the violence that occurs seems like we never win

Love and mercy that’s what you need tonight
So, love and mercy to you and your friends tonight

I was lyin’ in my room and the news came on T.V.
A lotta people out there hurtin’ and it really scares me

Love and mercy that’s what you need tonight
So, love and mercy to you and your friends tonight

Encore

If you would like to discover more about Wilson and the Beach Boys, you can read my book Come Together: How the Baby Boomers, the Beatles, and a Youth Counterculture Combined to Create the Music of the Woodstock Generation. Come Together contains a relatively in-depth look at two Brian Wilson songs – “The Warmth of the Sun” and “Surfin’ USA”. It can be purchased at the Politics and Prose book store in Washington, DC. or by clicking here.

Come Together Monday Music – Fats Domino

Before there was rock & roll, there was New Orleans’ Fats Domino playing his piano and offering his brand of Creole rhythm and blues. You can learn how much Fats influenced rock & roll music, especially that of the Beatles, by picking up and reading my new book Come Together: How the Baby Boomers, the Beatles, and a Young Counterculture Combined to Create the Music of the Woodstock Generation.

It’s available exclusively at the Politics and Prose bookstore in Washington, DC, or you can order it online by clicking here.

Since Christmas 1957, the Jingle Bells Have Been Rockin’

By Dave Price (this article 1st appeared in Booming Encore)

Once the sounds of rock n’ roll started filling the airwaves by the late-1950s, it was only a matter of time until someone would record and release the first Christmas-themed rock song destined to become a holiday classic.

And that honor goes to Bobby Helms with his 1957 hit “Jingle Bell Rock”.

Although today, Helms is considered a relatively obscure artist, the rockabilly singer had recorded two #1 hits on the country chart – “Frauline” and the still-performed doo-wop classic “My Special Angel” before “Jingle Bell Rock,” which peaked at #6 on the Billboard Chart. Helms’ version charted again in 1958 and 1960.

At first, Helms, who had moved to Nashville from his native Indiana, didn’t think much of the tune, which is credited to songwriters Joseph Beale and James Booth. Helms claims he and session guitarist Hal Garland worked to improve the song including adding the bridge which begins “What a bright time, it’s the right time, to rock the night away …”. Neither Helms nor Garland ever received songwriting credit for their work.

“It was such a bad song. So, me and one of the musicians (Garland) worked on it for about an hour, putting a melody and a bridge to it,” Helms said during a 1992 interview which appeared in the Indianapolis Star. “I really didn’t want to record it, but now I’m sure glad I did”.

For his part, Garland, is recognized as one of Nashville’s greatest session guitarists, playing on records by Elvis Presley, Patsy Cline, the Everly Brothers, and Roy Orbison. Producer and guitarist Chet Atkins called Garland, who also played on the other 1950s rock-and-roll holiday classic, Brenda Lee’s “Rockin’ Around the Christmas Tree,” the best guitar player “to ever come out of Nashville”.

“Jingle Bell Rock” has been recorded by artists as diverse as The Platters, the Beach Boys, and southern rockers .38 Special. Two cover versions have made the charts. In 1962, a Philly version by Chubby Checker and Bobby Rydell made it to #40 in England and in 1983 a version by another pair of Philly musicians Daryl Hall and John Oates peaked at #6 on Billboard’s holiday play chart.

Helms’ song has been featured in dozens of TV shows and three holiday movies – Lethal Weapon 1, Home Alone 2: Lost in New York, and Jingle All the Way, all of which brought new, younger listeners to his classic.

Obviously, “Jingle Bell Rock” resurfaces each season from November to New Year’s Day and continues to be popular. It has sold more than 1 million copies in the United States alone. In 2016, StationIntel rated the song as the third most played that season. In that same year, the song was downloaded 700,000 times according Nielsen SoundScan, making it the 9th most popular song that Christmas season. Rolling Stone magazine names “Jingle Bell Rock” as the 10th greatest Christmas song of all-time, while Esquire magazine has it in 16th place in its list.

Helms’ Christmas classic, along with his other work, helped secure him a place in the Rockabilly Hall of Fame. Even though he never had another big hit, Helms continued to tour and perform for three decades after the release of “Jingle Bell Rock”. He died in 1997 at age 63 in Indiana.\

Come Together Monday Morning Music – Louis Jordan

Do you know who Louis Jordan is? Well, in the 1940’s he was known as the ‘King of the Jukebox”. You can learn more about Jordan and his influence on the creation of rock & roll if you pick up and read my latest book, Come Together: How Baby Boomers, the Beatles, and a Youth Counterculture Combined to Create the Music of the Woodstock Generation.

Come Together is now available exclusively at the Politics and Prose bookstore in Washington, DC or it can be purchased here through the Politics and Prose website.